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00214: Re: Another application
From: |
Antonio Rossin <rossin(at)tin.it> |
Date: |
Sat, 30 Apr 2005 05:07:41 +0200 |
Subject: |
Re: Another application |
At 3:14 -0600 29-04-2005, webmaster wrote:
Please,
comment within 5 days.
Do we need some more information from him?
It really makes little sense to have an aproval process if we do
not
have any information about the applicant anyway.
So, take in anybody after all???????
Mirek
* This is a request from
menon(at)pd.infn.it
* to become a WDDM member
Hi,
I'm Giorgio Menon from Italy and i'd like to learn more about
Direct
Democracy from the WDDM community.
Best regards
Giorgio
Hi,
Unlike others, I do not think that Giorgio Menon's
(tonguessy)
wish to learn is sincere. I've found him totally
dogmatic-inflexible
about his deep convictions - but he uses a "questioning"
approach
to enter any other's arguments, and changing proposals, trying
to
debunk them in favour of his theocratic conservative view
of the
world. He looks like an Internet activist of the Catholic
religious
sect called "Opus Dei", as he seems to know everything
in advance.
Let me quote, from another list:
QUOTE
At 7:21 +0000 28-04-2005, Giorgio Menon "tonguessy"
wrote:
> Justin:
> Without ideas having
any real meaning, as you suggest,
> that is being made up of words
that are essentially
> arbitrarily recognized by the
understanding, and put together
> differently by each individual
we no not then what it is that
> the communicator has intended
therefore making communication
> impossible, and ideas as
projected from the mind to the mouth
> so to speak, (no pun) also
meaningless.
> I only ask this then, how is it possible for us to
converse
> at all, if we simply have our
own little interpretations of
> what things mean as they are
meant to be used in language?
Tonguessy:
according the principle of duality ideas have both
meaning
and no meaning at all. It all depends
on the context. In the
thinker's mind they do have meaning.
But no thinker can ever
make such ideas plausible for others.
In fact you still think
that i'm raving. It's all perfectly
normal. Maybe if you liked
E.Jonesco "Bald Soprano".....
>
> Tonguessy:
> It all belongs to a personal interpretation (personal
> background, preferences, needs etc...).
>
> Justin:
> Again this is an absolute
statement describing an ultimate
> relative notion. Take for
instance "We can know nothing."
> Well how then could we know that
we can know nothing if we
> can not know anything at all.
You see, I'm just a bit
> confused by this Tonguessy, I'm
not trying to pick on you,
> just not quite understanding how
it is possible for you to
> say what you say here. If
what makes sense is a personal
> interpretation, than there is no
definable 'what' at all,
> and every stroke of the keys is
simply a waste of energy,
> and even Darwin wouldn't allow
that. There is a certain
> definable way to build a guitar,
or other stringed instrument,
> (I myself play a woodwind).
Think about the notes, is there
> not a certain at least degree of
tolerance before a B becomes
> a G, well at least on a
saxophone? What if I was to interpret
> G as B? I probably would
have a hard time conparing this
> to written music, more over I
wouldn't be able to accurately
> communicate the composer's idea very well
either.
Tonguessy:
Ok, Justin. I see a honest question,
so i try to explain.
Again "we can know nothing"
is the first half. The second half
is "we can know
everything". Don't try to put an either-or
here.
You are very close to this truth when
you say that "there is no
definable 'what' at all, and every
stroke of the keys is simply
a waste of energy". Energy time
and space are one thing. Human
actions are a waste of energy, a waste of time and a
waste
of space. And its exact opposite.
When you try to define "what"
that same "what" becomes a
different thing. That's why it cannot
be communicated.
As Lao Tse said: "the real Tao cannot be described: what
can
be described is not the real
Tao". A couple of millennia later
S.Beckett wrote his play
"Waiting for Godot" and E.Jonesco
wrote "Bald Soprano". There
are general rules (symmetries) for
building an instrument. Yet you must
admit that there are cheap
and expensive instruments. These
latter have a higher quality.
So, despite their appearence, they
are DIFFERENT! To be more
precise any instrument is unique.
Again, another duality:
classical guitars (for example) are all equal AND are all
different. There are both similarities and differences, always.
You wrote: "I wouldn't be able to accurately communicate the
composer's idea". Would you be able to accurately
communicate
any other person's ideas? How
would you know it?
Best regards
Tonguessy
ENDQUOTE
Nevertheless, I think of Democracy it shall learn how to
know,
and defend itself from , such enemies disguised as DD
friends.
Therefore I am in favour for Giorgio Menon Tonguessy being
taken in, as well as every other applicant. But let's have
some
information about the latter anyway.
antonio
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